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Digital Preservation of e-journals and e-prints presentation 1st iPRES conference Beijing China2004 available now on Slideshare is the fourth of 12 presentations I’ve selected to mark 20 years in Digital Preservation. The remainder will be published at monthly intervals over 2015.
This is one of the four presentations I gave as part of the very first iPRES conference at the Chinese National Academy of Sciences in July 2004.
iPRES was conceived in 2004 by the Chinese Academy of Science and Electronic Information for Libraries, as a forum to exchange ideas and expertise in digital preservation between China and Europe. Since then, it has expanded to attract delegates from around the world. For me it was a great founding conference with wonderful hospitality: there can be few better places in the world to visit if you like archaeology, culture and food.
I have chosen the e-journals preservation presentation from the conference as it is a thread of work that I have returned to many times over the last decade (including a DPC Technology Watch report in 2013).
It was also the most intriguing, as I gave an additional invited private seminar on the topic of preservation and continuing access for international STM e-journals to Chinese colleagues during the conference. At the time tensions were rising over Taiwan: it was probably the only time I sensed digital preservation was felt to be (and probably could be funded as) a national security issue….
How can cloud storage help address growing digital preservation challenges? A webinar will take place from 13.00-14.00 GMT on Friday 27 March to discuss the five case studies that accompany The National Archives’ cloud storage and digital preservation guidance compiled by Charles Beagrie Ltd.
The webinar is an opportunity to learn more about experience with digital preservation, the Cloud, and digital storage at the Archives and Records Council Wales Digital Preservation Working Group, Bodleian Library at the University of Oxford, Dorset History Centre, and Tate Gallery, that are the subjects of the case studies and to put your questions to the staff involved.
Please register for the event in advance, as numbers will be limited. After registering, you will receive a confirmation email containing information about how to join the webinar.
If you would like to submit questions for the webinar in advance, please email them to Neil Beagrie at email@example.com.
This is the 2nd webinar of two on the topic of Cloud Storage and Digital Preservation organised by the TNA. The first webinar from 27 May 2014 on The National Archives’ cloud storage and digital preservation guidance provides an introduction to the topic and key issues. This is available for re-play on the TNA website and is the precursor to the 2nd webinar in the series.
The Digital Preservation Coalition (DPC) Slide Set 2004 available now on Slideshare is the third of 12 conference presentations I have selected to mark 20 years in Digital Preservation. The remainder will be published at monthly intervals over 2015.
The DPC was founded during 2001-2002 commencing with a summit in January 2001, and culminating with its formal incorporation as a not-for-profit company with 7 members and a public launch at the House of Commons in February 2002. It has since grown to more than fifty members. Ably steered since by a succession of staff and board members, it has exceeded the hopes of its founding members and is very worthy of inclusion in this top 12. This slide set is a nice visual snapshot of the DPC at a key time in its development.
The slide set consists of four presentations dating from June 2004 (but with origins in earlier versions from January 2001) that have been combined here: the History of the DPC, Rationale for the DPC, Structure of the DPC, and Programme of Activities. They formed a set of DPC member resources (in the then DPC colours and Powerpoint template) dating from June 2004. However their origins are much earlier than that –elements date from the key first Digital Preservation Summit for the DPC in January 2001 with subsequent updates. There is a background briefing and a report of proceedings of that summit available on the DPC Website.
Preservation Management of Digital Materials [the Digital Preservation Handbook] available now on Slideshare is the second of 12 conference presentations I’ve selected to mark 20 years in Digital Preservation. The remainder will be published at monthly intervals over 2015.
This one is selected because of the subsequent influence the Handbook has had (I believe 15 years later it is still the most heavily used resource on the DPC website). It also seemed apposite with the online Handbook currently being worked and updated to its first major “second edition”.
The presentation is in two parts a keynote to the Forum on the Handbook and a set of workshop slides – consisting of a digital preservation questionnaire and a set of [institutional] responses probably from a repeat performance and workshop at a separate event in Australia.
I have almost no information left on these events but fortunately the Pandora web archive at the National Library of Australia has this archived description of the Forum: it just shows how useful web archives are!
I’ve uploaded to YouTube a 4 minute clip of the SPMTE Archival Technology Medal Award ceremony and my acceptance speech from back in October 2014 -see https://www.youtube.com/
This is a still from the “This is your life” section of the video!
Preserving Digital Collections: current methods and research available now on Slideshare is the first of 12 conference presentations I have selected to mark 20 years in Digital Preservation. The remainder will be published at monthly intervals over 2015.
This is the earliest surviving presentation in my personal archive but it made the cut for selection because as far as I am aware, it presented the first advocacy of a lifecycle approach to digital preservation (as published in A Strategic Framework for Creating and Preserving Digital Resources). As such it was an important influence and framework for Tony Hendley’s 1998 publication Comparison of Methods & Costs of Digital Preservation (and subsequent approaches to digital preservation lifecycle costs by the LIFE and KRDS projects) as well as later life-cycle approaches such as the DCC Curation Lifecyle Model.
An important component of the strategic framework was pre-emptive action prior to ingest – as reflected in the work on the digital collections policy and the “Guides to Good Practice” for data creators of the then recently established (but now ceased at least as an umbrella organisation) Arts and Humanities Data Service.
The presentation largely reflects the main sections of A Strategic Framework for Creating and Preserving Digital Resources study authored by myself (then responsible for Collection and Standards Development at the AHDS) and Dan Greenstein (then Director at AHDS). The study was part of a programme of digital preservation studies funded by the Joint Information Systems Committee, following a workshop on the Long-term Preservation of Electronic Materials held at Warwick in November 1995.
We are pleased to announce the public release of the OAIS Introductory Guide (2nd Edition), the latest report in the Digital Preservation Coalition (DPC) Technology Watch Series. Written by Brian Lavoie of OCLC Research, and published by the DPC in association with Charles Beagrie Ltd, this free peer-reviewed report looks back on the development, features, and impact of the Open Archival Information System (OAIS) Reference Model, one of the core standards of digital preservation.
Research Scientist at OCLC, Brian observes that perhaps “the most important achievement of the OAIS in this history is that it has become almost universally accepted as the lingua franca of digital preservation”
Emphasising its flexibility and conceptual nature, the report describes the OAIS, its core principles and functional elements, as well as the information model which support long-term preservation, access and understandability of data – highlighting the in-built level of abstraction which makes it such a widely applicable foundation resource for digital preservation.
Brian adds “it is possible to identify a few limitations associated with the OAIS’s impact,” generally associated with the very conceptual nature of the model, and goes on to recommend that the digital preservation community would certainly “benefit from a careful assessment of where more precise and authoritative definitions of OAIS concepts and relationships would accelerate progress in achieving robust, widely applicable, and interoperable digital preservation solutions.”
The Introduction to OAIS was the first of the DPC Technology Watch reports, and although it was first published a decade ago it has remained popular. The second edition updates and expands this first report, providing an excellent introduction to the OAIS for those new to digital preservation and resource for practitioners wishing to re-acquaint themselves with the basics of the model, supplemented by the wisdom of a decade of research, development and implementation.
Sarah Higgins of the Department of Information Studies at Aberystwyth University praises the report, calling it “a much needed and important update. It lays out both the content of the second edition of the OAIS Reference Model, and the results of over a decade of research and development that can trace its roots to OAIS. The tools and processes for practical implementation of digital preservation and measuring their success are expertly explained and evaluated. The report will be invaluable to both established and new entrants to the digital preservation profession who need to understand the basic concepts of an OAIS and the tools available to them. This clear and comprehensive report will be embedded as core reading for Aberystwyth University students studying Digital Curation or Digital Information Management at Master’s level”.
OAIS Introductory Guide (2nd Edition) is the latest in the state of the art Technology Watch Reports that give an advanced introduction to ensuring that high-value and vulnerable digital resources can be managed beyond the limits of technological obsolescence.
It came as a bit of a shock to realise that sometime in the next 12 months, I will have been involved in digital preservation for 20 years.
The first thing I ever wrote in 1995 on the topic of digital preservation (fortunately anonymously) was this:
The inadequacies and compromises in this advice (not only for preservation but also for its implications for online access), sparked my interest in solving the problems and helping advance solutions for them (such as the Archaeology Data Service) in subsequent years.
How to mark the occasion? Well over the last two decades I have given over 150 keynotes and presentations at events internationally and in the UK on digital preservation topics, and a personal digital archive has gradually evolved. So I have decided to make a personal selection of 12 presentations that I think may have been the most significant and influential.
I will release a blog narrative for one of them each month over the next 12 months and will put it on Slideshare. For those interested in which presentations made the cut and will be appearing on 1st day of the month over 2015, this is my personal top 12 arranged in date order:
What a terrific couple of days! We completed a two day book sprint in London last week focussing on developing new content for the first release of the next edition of the Digital Preservation Handbook that is being funded by The National Archives, the British Library, and Jisc. Really pleased with the outputs and progress we made.
A group of 11 people Matthew Addis (Arkivum), Neil Beagrie (Charles Beagrie Ltd), Stephanie Davidson (West Yorkshire Archive Service), Michael Day (British Library), Matt Faber (Jisc), Chris Fryer (Parliamentary Archives), Anna Henry (the Tate Gallery), William Kilbride (DPC), Ed Pinsent (ULCC), Virginia Power (Jisc), Susan Thomas (Bodleian Library Oxford), met up over two days to progress sections of the content for the new “Technical Solutions and Tools” chapter of the Handbook (as identified in the Draft Outline of the 2nd Edition of the Digital Preservation Handbook). Accommodation for the sprint was kindly provided by the Jisc in their central London offices via the good offices of Neil Grindley.
We have completed draft sections for:
In addition a content outline was agreed for the “Getting Started” sub-section of the Introduction. Alongside this work, other sections including the Background, How to Use the Handbook, Definitions and Concepts, Acronyms and Initials, and References have been partially revised as we went.
The revision has been guided by the user feedback and consultation (see Report on the Preparatory User Consultation on the 2nd Edition of the Digital Preservation Handbook) in short to keep the Handbook text practical, concise, and accessible with more detail available in the case studies and further reading.
This was the first book sprint for all bar one of the participants. We learnt a lot about the strengths and weaknesses of “Booktype” the open source software we used that had been developed to help support this type of activity, eventually settling on using it in parallel with collaborative text tools such as Google Docs to get the best from each approach. A two-day book sprint was very intense but few could have spared more time away from the workplace, and as one participant said a tight-deadline helped everyone focus on the tasks in hand.
At the end of the sprint the challenge was set to aim to make the new content available within 3 months – we hope sufficient additional sections to create a ready critical mass, potentially the complete Tools and Solutions Chapter of the Handbook can be readied and transferred to the DPC website and reviewed for release in the New Year.
The official company press release on the Archival Technology Medal award is out but I wanted to add an individual thank you to the Society of Motion Picture and Television Engineers (SMPTE) and my colleagues.
First of all, a big thank-you to the SMPTE for the great personal honour and for all the work it is doing through the SMPTE Archival Technology Medal Award to raise awareness of digital preservation challenges and solutions. Film and television reach into every sector of society and around the globe and the SMPTE’s leadership is important not just to the film and television industries but beyond.
Secondly, digital preservation is highly collaborative. I feel I have done my best work over my career in partnership with others. I am fortunate to have co-workers, colleagues, and collaborators who are often world- leading in their fields and to whom I owe a great deal professionally. From television, sound and software engineers to librarians, archivists and economists they have been a pleasure to work and collaborate with.
The citation for the 2014 Archival Technology Medal specifically mentions the Digital Preservation Coalition (DPC) and the Jisc digital preservation programme and my early involvement in their establishment. The ongoing success of the DPC, Jisc and its services over the last decade in digital preservation is due to the leadership and staff of these bodies and they have had continuing international impact in their work.
Finally my thanks to SMPTE members and other colleagues for their messages of congratulation and kind words on the announcement.